Sony ZV-E10 II in-depth assessment

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85%

General rating

Bounce to conclusion

The Sony ZV-E10 II is the corporate’s second-generation APS-C vlogging ILC. It brings a brand new sensor and bigger battery, together with improved video specs.

Key options:

• 26MP APS-C BSI CMOS sensor
• Full-width 4K at as much as 30p
• 4K/60p from a 1.1x crop (5.6K seize)
• 10-bit video seize
• S-Cinetone shade mode and ‘Artistic Look’ choices
• Imports LUTs for previewing, embedding or making use of to S-Log3 footage
• Three-capsule mic with automated directional focus possibility
• No mechanical shutter

The Sony ZV-E10 II has a beneficial worth of $999 body-only or $1099 with an up to date 16-50mm F3.5-5.6 OSS II retracting energy zoom. These costs symbolize a $300 improve over the unique model. The ZV-E10 II is obtainable in black or white. The white model comes with a silver model of the 16-50mm PZ that is not to be bought individually.

Index:

• What’s new
• The way it compares
• Physique & dealing with
• Video High quality
• Picture High quality
• Conclusion vlog
• Specs
• Press Launch

What’s new

New sensor

The ZV-E10 II makes use of the identical 26MP BSI CMOS sensor we have seen within the a6700 (and the pro-video FX-30). It is a a lot sooner sensor than the one within the earlier model of the digital camera, and is ready to ship 4K video at as much as 60 frames a second, the place the earlier model needed to crop-in to shoot at 30fps, that means it confirmed vital rolling shutter in its 4K modes.

10-bit video

The ZV-E10 II additionally positive factors a more moderen processor, permitting the digital camera to seize 10-bit video. This permits it to report Log footage with loads of precision, which permits higher flexibility when grading shade and tone. It additionally means the digital camera can seize true HDR footage for playback on HDR telephones and TVs.

All of the digital camera’s 4K modes are taken from oversampled seize: 6K for modes as much as 30p and 5.6K (with a 1.1x crop) for the 50 and 60p modes. There is not any in-body stabilization within the digital camera, so digital stabilization applies an extra 1.33x crop, that means the 16-50mm equipment lens finally ends up giving a 32mm equiv area of view, at its widest, if you wish to use extra than simply the lenses’ optical shake correction, and 35mm equiv within the excessive framerate modes.

Up to date options

The ZV-E10 II has the newer Bionz XR processor, relatively than the ‘X’ of its predecessor. As a part of this replace it positive factors a UHS-II suitable SD card slot.

The ZV-E10 II would not embrace Sony’s ‘AI processing unit’ however consists of a number of the newest subject-recognition algorithms, we’re advised. It additionally positive factors the main focus respiratory compensation perform that, with acknowledged Sony lenses, crops in to the narrowest efficient area of view then progressively adjusts the crop and scaling to keep up constant framing as the main focus distance adjustments.

The ZV-E10 II additionally has the CineVlog mode from the ZV-1 Mark II, which supplies a widescreen 2.35:1 look with baked-in black bars high and backside and shoots at 24p. Onto this varied ‘Seems to be’ and ‘Moods’ might be utilized, to offer a stylized look to your footage.

There is not any signal of Sony’s Auto Framing modes, although, so you may’t set the digital camera on a tripod and let it crop-in and comply with your topic across the scene, nor set a topic’s place within the body and have it crop to keep up that positioning, as you are filming your self at arm’s size.

Bigger battery

The ZV-E10 II now makes use of Sony’s bigger NP-FZ100 battery, permitting it to report for for much longer. Sony didn’t disclose battery figures previous to launch, however the FZ100 has at all times made cameras way more usable than the smaller FW50 utilized by the unique ZV-E10.

Up to date equipment zoom

The ZV-E10 II sometimes comes bundled with the Sony E PZ 16-50mm F3.5-5.6 OSS II, a refreshed model of its compact, retractable energy zoom. The model II positive factors the power to focus whereas zooming, serving to to maintain your topic in focus in the event you change the focal size whereas recording, and likewise communicates info to assist the digital camera’s stabilization efforts.

In precept, the lens can focus quick sufficient to work with 120fps capturing, within the unlikely occasion anybody ever attaches it to an a9 III. Nonetheless, Sony has not made any adjustments to the optical design of the lens, which we have by no means been notably impressed by.

The way it compares

We have chosen to check the ZV-E10 II to its predecessor, Nikon’s Z30 that goals to supply one thing very related, and to the a6700, to see what variations exist between Sony’s vlogging mannequin and its fanatic stills/video possibility. The opposite apparent competitor on this area is Panasonic’s DC-G100, which once more gives a intelligent mic setup and front-facing display for vlogging. Nonetheless, its substantial crop in 4K mode makes it much less properly suited to high-res vlogging than the opposite cameras listed right here, so that is the one we have omitted for causes of area within the comparability desk.

Maybe the most important advantage of the ZV-E10 II over the unique is the sooner readout of its sensor. The mark 1 exhibited lots of rolling shutter in 4K/24 mode and needed to crop in to ship 4K/30; against this, the brand new digital camera can shoot at 4K/60 utilizing many of the sensor, that means it is over twice as fast as its predecessor.

It is value noting the variations, in contrast with the dearer a6700, too. The a6700 has a viewfinder, in-body stabilization, twin management dials on its high plate and a mechanical shutter, and is ready to shoot 4K/120 in the event you can dwell with a considerable 1.58x crop. These are all omitted from the inexpensive, extra influencer-focused ZV-E10 II.

Physique and dealing with

The ZV-E10 II’s physique is impressively small: it seems to be like an early Sony NEX mannequin and is recognizably extra compact than the a6700.

The draw back of that is that the controls and operation additionally really feel extra like an NEX mannequin, relatively than one in every of Sony’s newest cameras, in the event you try and shoot stills with it. In contrast to the dual dial a6700, there’s solely a single top-plate dial on the ZV-E10 II and a clumsy, fiddly rear-face dial that we have been making an attempt to keep away from having to make use of on Sony cameras for greater than a decade, now.

The interface is primarily touchscreen-based, permitting direct operation whilst you’re holding the digital camera to face you. There are additionally devoted buttons each for Bokeh mode (which opens the aperture as much as a price that may be adjusted within the menu) and Product Showcase mode that tells the digital camera to prioritize close by objects over face detection. Each buttons might be custom-made to carry out different capabilities, in the event you favor.

The ZV-E10 II is the primary Sony to rotate its interface show once you rotate the digital camera, to make vertical video seize simpler.

The ZV-E10 II has each headphone and mic sockets, together with a 5Gbps USB-C port that can be utilized to stream as much as 4K/30 video when appearing as a webcam. There’s additionally a micro HDMI slot.

We did not discover the ZV-E10 II the simplest digital camera to carry, if we had been dealing with in direction of it, to vlog, so we suspect the optionally available vlogging deal with/desk tripod with its Bluetooth-connected controls, shall be actually priceless. Making an attempt to carry the digital camera at arm’s size with out it simply meant worrying about unintentionally beginning or stopping recording, and continually nudging the zoom rocker on the lens and never having the ability to reverse the impact with out stopping recording and bringing the digital camera again into two fingers to push the zoom again out to wide-angle.

Battery

Using the bigger NP-FZ100 battery sees the battery life ranking leap from the 440 shot-per-charge ranking of its predecessor to 610 photographs, utilizing the usual CIPA testing strategies. As at all times, these numbers underestimate the variety of photographs many individuals get, so double this quantity is totally believable.

For a vlogging digital camera, we’ll additionally quote the CIPA video figures, that are 195 minutes of recording if simply left to run (assuming you do not run out of card area or overheat earlier than then), and 130 minutes utilizing the CIPA “Precise” capturing period check, which entails extra cease/begin recording, zooming of the lens and turning the digital camera on and off. Each are based mostly on FullHD seize, not 4K.

Video High quality

As with the a6700, the ZV-E10 II’s oversampled 4K mode offers an excellent degree of element, particularly in comparison with subsampled video modes on cameras just like the X-T50. Whereas its 4k/60p mode does include a crop, it must be greater than detailed sufficient for its goal vlogging viewers.

Video Seize Choices

The ZV-E10 II gives a enormous number of video choices, arguably to the purpose the place it could grow to be complicated to newbies wanting to make use of it as their first devoted digital camera.

Capturing in H.265 offers you an excellent steadiness between high quality and file measurement, however older computer systems with out devoted decoding {hardware} will wrestle when making an attempt to edit the information. Utilizing H.264 as a substitute will come at the price of bigger file sizes however make it even simpler to edit; the identical is true of the All-I modes, however you may want an particularly quick V90 SD card to make use of it.

Rolling Shutter

You will nonetheless see rolling shutter in a worst-case situation, like with this massive truck passing near the static digital camera, but it surely should not be a priority for many capturing conditions. Shot at 4K/24p. Picture: Mitchell Clark

The unique Sony ZV-E10 had notable points with rolling shutter efficiency, exhibiting a jello-like impact everytime you panned or pointed your digital camera at a fast-moving topic. That was very true when capturing in 4K. Fortunately, the impact is far much less pronounced with the ZV-E10 II, due to its a lot sooner sensor readout instances.

Whereas excessive instances just like the one illustrated above will nonetheless exhibit some rolling shutter impact, it is now not a lot of a priority for on a regular basis capturing.

Overheating

The handbook for the ZV-E10 II warns that, by default, the digital camera can solely report round 5 minutes of 4K footage earlier than overheating in ambient temperatures of 25°C (77°F). Our checks discovered that to be correct. Nonetheless, setting the ‘Auto Energy OFF Temp’ to ‘Excessive’ permits you to report for for much longer.

Throughout our checks, shot indoors at an ambient temperature of 23°C (73°F) and recording 4K/60p on the most 200M 4:2:2 10-bit high quality, the digital camera overheated in an hour and 17 minutes with ‘Auto Energy OFF Temp’ set to excessive. Capturing 4K/60p on the lowest high quality, 45M 10 bit 4:2:0, the digital camera held on for an hour and 53 minutes.

That point shall be drastically lowered in the event you do not change the ‘Auto Energy Off Temp’ setting or in the event you’re capturing outside in direct daylight. For those who’re indoors, you doubtless will not have to fret in regards to the digital camera overheating in all however essentially the most marathon of capturing classes.

Picture High quality

Edited to style in ACR. Sony E PZ 16-50mm F3.5-5.6 @ 50mm| ISO 100 | 1/1250 sec | F5.6 Photograph: Mitchell Clark

Whereas the ZV-E10 II is not actually set as much as be a stills digital camera, it is nonetheless able to taking some glorious images due to the sensor it shares with the Sony a6700. It produces footage which have loads of element and colours which might be vibrant with out being aggressively unnatural. Nonetheless, the shortage of any mechanical shutter means you danger topic distortion with fast-moving topics, and shall be restricted in your potential to shoot with flash.

It could actually additionally shoot Uncooked, and the information it produces provide you with lots of flexibility to push and pull shadows. And whereas the shortage of a mechanical shutter can typically include a dynamic vary hit, in our checks the ZV-E10 II carried out equally to the a6700 that it borrows its sensor from. In contrast to its predecessor, it’s able to recording lossless – however nonetheless compressed – Raws, which provide you with a contact extra leeway when modifying versus lossy compressed Raws whereas nonetheless offering some space-saving advantages.

Click on right here to view the ZV-E10 II studio scene

Conclusion

By Mitchell Clark

As with our preliminary assessment, we have shot the majority of our assessment and a conclusion as a vlog, utilizing the ZV-E10 II. Our basic scorecard and comparability to opponents shall be under.

General, the ZV-E10 II can produce nice 4K footage, particularly once you’re capturing in a managed surroundings. For these trying to movie themselves of their workplace or studio, its best-in-class autofocus and beginner-friendly modes and options make it an awesome step up from a smartphone.

Nonetheless, in case your vlogging model is extra dynamic with lots of handheld capturing outdoors, it is probably not your best option; it would not have the auto-framing or built-in ND of the ZV-1 II, nor does it have the stabilized sensor of the a6700. Meaning you may should hold your self in body and hold the digital camera secure. If that is the type of video you need to make, it could be value wanting outdoors the ILC ecosystem and contemplating the DJI Osmo Pocket 3; it will not provide the identical picture high quality as a consequence of its smaller sensor, however its built-in gimbal gives you a smoothness that sensor stabilization and optical picture stabilization alone cannot match.

One level particularly bears repeating: the ZV-E10 II isn’t constructed for taking stills; it could share a sensor with the a6700, which is a wonderful stills digital camera, however in the event you purchase it hoping to get the identical picture efficiency at a lower cost, you may be sorely disenchanted. The dearth of a viewfinder could make it fairly troublesome to compose photographs in direct daylight, and the exclusion of a mechanical shutter means you have got far fewer choices when capturing flash, and you will have to fret about rolling shutter when capturing fast-moving topics. The only-dial controls imply you may typically have to achieve for the touchscreen to regulate your settings, and its interface is just not specified by a way that is sensible for pictures.

Scoring

Scoring is relative solely to the opposite cameras in the identical class. Click on right here to study in regards to the adjustments to our scoring system and what these numbers imply.

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In comparison with its friends

In comparison with its predecessor, the Sony ZV-E10 II is a way more succesful and usable digital camera for video. It has higher controls – it now makes use of a three-way change to regulate whether or not you are in picture, video, or sluggish/fast mode relatively than a button – Sony’s up to date menu system and a sooner sensor that considerably reduces rolling shutter and permits for 4K/60. The improve from 8-bit video to 10-bit can also be an enormous win, as is the bigger battery. It might be onerous to suggest that anybody purchase the ZV-E10 now that the II exists.

In comparison with the Nikon Z30, the ZV-E10 II’s benefits are largely just like its benefits over the unique ZV-E10 almost about bit-depth and 4K/60p. It additionally has a headphone jack for straightforward audio monitoring, and a Log recording mode, all of which the Nikon lacks. Lastly, there’s lens choice. If you wish to improve from the 16-50mm equipment lens, there aren’t actually any quick, wide-angle zooms obtainable for Nikon Z mount that will make sense for the Z30. And whereas Sony makes a couple of F4 zooms that may very well be an honest match for the ZV-E10 II, the very best improve would in all probability be your selection of Sigma’s F2.8 wide-angle zooms, which can be found for E-mount, however not for Nikon’s system.

The Sony a6700 is an especially succesful digital camera that ought to a minimum of be on the radar of anybody contemplating the ZV-E10 II. It is designed as a stills digital camera and thus has the EVF, second entrance management dial, and mechanical shutter the ZV-E10 II lacks. For vloggers, it has the identical background defocus and product showcase options however provides in-body picture stabilization, 4K/120p recording, auto-framing, and topic detection settings for bugs, vehicles, trains and airplanes. Nonetheless, these additional capabilities come at a value: it is 116g heavier and has a $400 increased MSRP.

Pattern Gallery

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2024-10-02 13:00:00
Source hyperlink:https://www.dpreview.com/evaluations/sony-zv-e10-ii-vlogging-camera-review