Nikon 50mm f/1.4 Arms-On: Filling a A lot-Wanted Hole

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Nikon makes some unbelievable prime lenses, from the illustrious 58mm f/.95 Noct to the 50mm f/1.2 S — the latter of which is the extra sensible, but may be very costly regardless that it is rather good. Nikon additionally makes a full unfold of f/1.8 and f/2 prime lenses throughout a variety of focal lengths. What Nikon have curiously ignored are any f/1.4 primes, a minimum of till not too long ago.

A photograph of two NIKKOR camera lenses on a wooden surface with a dark background. The lens on the left is labeled "35/1.4," and the one on the right is labeled "50/1.4." Both lenses are black with a similar design.
There at the moment are two quick f/1.4 primes from Nikon. I hope we see much more quickly.
A grayscale image depicting a flock of birds flying in a V-formation across a cloudy sky. The silhouette of tree branches is visible in the foreground.
The focusing motor rapidly locked on to those birds in flight. STM motors carry out simply nice with smaller glass components.

A Quick 50mm That Was Sorely Wanted

Nikon only in the near past launched an reasonably priced 35mm f/1.4 prime which brings first rate picture high quality to the desk and lots of gentle gathering potential. Now they’re following it up with a 50mm model and I obtained my fingers on an early pre-production mannequin to check out. It’s not a reviewable copy but however I can a minimum of collect some ideas and ideas about how this lens will carry out upon its official launch.

A man with salt-and-pepper hair and a full beard, wearing a red and black plaid shirt, leans against a fence entwined with green vines and small flowers. He is smiling gently, and the background is slightly blurred.
The transitions all through the main focus vary are clean and pleasing.
Close-up shot of a camera lens with inscriptions "Z 50mm 1:1.4 Ø62" around the front element against a dark background. The lens glass reflects light, revealing internal aperture blades.
The 9-bladed aperture can clearly be seen right here. The lens itself is light-weight and sparsely appointed.

The lens appears and feels fairly just like the 35mm model with a 62mm filter thread on the entrance and a easy plastic lens hood. Weighing solely 14.8 ounces (420 grams) the 50mm is fairly sparse so far as controls go. There’s a handbook focus ring and a customizable management ring however that’s it. The selection is smart given the reasonably priced worth. We aren’t going to get — or want — superior linear motors to autofocus a lens like this and I discovered the focusing to be loads fast sufficient to deal with any scenario.

A middle-aged man with a beard and mustache is leaning out of a car window, smiling. He is wearing a black t-shirt and has sunglasses perched on his head. His arms are crossed on the car door, and a seatbelt is visible. The background is slightly blurred with greenery.
A 50mm is at all times a flexible alternative that may deal with portraits and road images.
A weathered, rust-stained metal surface displays the following text: "681665, Tare Weight, (LBS) 10133, (KG) 4596". In front of the surface is a chain-link fence slightly out of focus.
A chance for a element shot and a take a look at the foreground bokeh too. I really like taking pictures in industrial areas.

The Picture High quality Appears to be like Promising

Prior to now, f/1.4 lenses have given the shallow depth of discipline look and talent to make use of quicker shutter speeds in low-light however they tended to endure some optical compromises. In consequence, I’m curious to see how this lens will deal with flare and sharpness however I could make some observations about it from the samples I shot.

A red and white striped shirt with a yellow price tag hangs on a clothes hanger. The background is blurred, featuring warm-toned bokeh lights, creating a cozy and festive atmosphere.
You may see the clear bokeh and mild cat’s eye impact right here. The 50mm f/1.4 actually provides that shallow focus look.
A bouquet of vibrant red and pink flowers is in sharp focus in the foreground, set against a softly blurred background with numerous glowing bokeh lights, creating a warm and enchanting ambiance.
Then specular highlights are pretty spherical when stopped down and the backgrounds look good and clean.

Bokeh appears very spectacular which is essential relating to quick glass. Specular highlights look clear and freed from onion rings or any soap-bubble impact. There’s a nice cat’s eye take a look at f/1.4 and this cleans as much as a reasonably spherical wanting circle when stopped down. I discovered the transitions between in focus to out of focus areas to be fairly nice.

A mural of a caricatured ape under a tilted royal crown, with a contemplative expression. It appears to be scratching its head, emphasizing human-like features and surrounded by abstract, sketchy details on a textured red background.
Right here’s a flat shot at f/1.4 and the element appears fairly first rate. I undoubtedly need to check this additional.
A man with a beard leans his arms on the open window of a vehicle, looking at the camera with a calm expression. He is wearing a black t-shirt and sunglasses are perched on his head. The background is blurred. The image is in black and white.
My buddy Rene stopped to say hey and have become an impromptu mannequin as an alternative.

I endeavored to shoot a good quantity of my photographs at f/1.4 to get an thought of the way it performs and located that the extent of element appears good. I’m going to order closing judgement till I can put a reviewable copy towards some check charts however there appears to be loads of element when taking pictures large open and it solely will get higher when stopped down. I’m assured this lens might be very usable at f/1.4 and I’m keen to check additional.

Close-up of a Nikon camera with a Nikkor 50mm f/1.4 lens attached. The focus is on the lens, showing detailed text and markings, while the lower part of the camera body is also visible.
There’s a mud seal across the lens mount however the options are fairly sparse in any other case.

I’m left desirous to see what else this lens can do however that could be a testomony to the design of this newest Nikon prime. I believe each this and the 35mm will lastly fill a niche in Nikon’s lineup and achieve this with aplomb.

Close-up of several yellow flower buds and blossoms on a green plant. The buds are oval-shaped and hang downwards, surrounded by green foliage. The background is blurred, highlighting the detailed textures and colors of the flowers in the foreground.
An ordinary 50mm isn’t going to ever be an awesome macro lens however you may get pretty near topics.

It additionally makes me marvel about another attainable additions sooner or later. How nice would it not be to see a brand new 24mm f/1.4 or 85mm f/1.4? If Nikon retains the pricing affordable like they’ve carried out on the 35mm and 50mm, we might have a highly regarded line of prime lenses within the close to future.

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Chris Niccolls
2024-09-10 04:01:07
Source hyperlink:https://petapixel.com/2024/09/09/nikon-50mm-f-1-4-hands-on-first-impressions-review-filling-a-much-needed-gap/

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