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| The EOS 5D Mark II was additionally one of many first mass-market cameras to make use of the ‘Mark II’ naming system. In an period of R5 IIs, Ok-3 IIIs and a7RVs, this has develop into the norm, nevertheless it wasn’t normal follow on the time. |
Simply 5 days after the arrival of first Mirrorless digicam, and 16 years in the past at present, Canon revealed a digicam that may assist outline the ultimate years of DSLR dominance: the EOS 5D II.
This was no easy improve to the unique EOS 5D, although in a transfer from 12.8MP to a greater performing 21MP CMOS sensor, the addition of an improved viewfinder and the achieve of options reminiscent of liveview, it was that, too.
What famously set the 5D Mark II aside was its potential to seize Full HD video, the primary DSLR to take action. The Nikon D90 had added 720p HD seize about two weeks earlier than nevertheless it was the Canon that caught the world’s creativeness.
This was helped by the choice to obtain the Cinestyle colour preset developed by movie processing firm Technicolor and a profitable PR stunt that concerned a whole episode of the TV present ‘Home’ being filmed utilizing the digicam.
In hindsight, the 5D II is a comparatively primary filmmaking device: all is footage is 8-bit, so has restricted grading latitude (an official Canon Log possibility would not arrive till the Mk IV), there have been no instruments reminiscent of focus peaking to assist with focus and to watch your sound you wanted all method of adapters to get on the audio feed from the A/V socket. It did not even achieve full guide publicity management in video mode till a post-launch firmware replace.
The 5D II grew to become a preferred video digicam at faculties and colleges all over the world
However the 5D II grew to become a preferred video digicam at faculties and colleges all over the world, placing the pliability and ‘look’ of a full-frame sensor within the fingers of budding movie makers and letting them use comparatively inexpensive EF lenses.
Past this, the Magic Lantern open source software program undertaking created an intensive array of video assist instruments to spice up the 5D II’s capabilities method past people who Canon had developed for it, together with focus peaking, false colour and management over the A/V output stage.
There are many folks that used the 5D II solely as a stills digicam, and it definitely represented a serious step ahead, in contrast with its predecessor: it had a bigger, increased decision display screen, a sensor happier to shoot at increased ISOs and will shoot 30% sooner than the Mark 1, regardless of the a lot increased pixel depend. It additionally gained options that we take as a right, reminiscent of Auto ISO.
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The newer sensor within the 5D II allowed a most expanded ISO of 25,600: three stops increased than on its predecessor. Picture: Don Wan |
Its high velocity of three.9fps appears disappointing as soon as you’ve got received used to the choice to seize the 30fps burst that its religious successor, the EOS R5 II can handle. However, despite the fact that 4K and 8K modes have develop into commonplace within the sixteen years for the reason that 5D II’s launch, a effectively lit, well-exposed and attention-grabbing video shot with the 5D II nonetheless appears fairly nice, even on a giant TV.
In the unique evaluate we referred to its video capabilities as its ‘social gathering trick.’ Effectively it proved to be fairly the trick, and over a decade and a half later, we’re all nonetheless at that social gathering.
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2024-09-17 16:00:00
Source hyperlink:https://www.dpreview.com/articles/0094797836/on-this-day-2008-canon-launches-eos-5d-ii-the-filmmakers-dslr